As more data centres are built to power the city-state’s digital transformation, the design of these high-tech boxes become ever more important.
What do “The Internet” and “The Cloud” look like to you? Even a Google search turns up nothing more than diagrams of seemingly invisible networks that connect the world’s computers, phones and devices. Well, stop looking up and start looking around, because the world wide web exists in plain sight across Singapore. Inside buildings known as “data centres” are the racks of computers that form part of the network which we increasingly depend on in our everyday lives.
They are alongside motorists as they travel down the Ayer-Rajah Expressway—between the flyovers at Buona Vista and Portsdown. One is a neighbour to residents living in the public housing blocks along Serangoon North Avenue 5. Another greets students across the road from Corporation Primary School. These data centres are where information is collected, stored, processed, distributed and accessed, and they are all part of a web of similar facilities connected around the world via fibre cable and satellite.
It has been two weeks since I returned to tropical Singapore. The sweltering heat outside makes me yearn for the cooler weather during my recent trip to Tallinn, Copenhagen and Helsinki. More than comfort, I find that living with the seasons makes one more sensitive to the environment. The daily need to respond to the weather — be it making plans or dressing accordingly — reminds us of how we relate to nature. But weather along the equator is significantly less drastic. In fact, I used to think we had no seasons until I attended a discussion on produce in Singapore last week. One of the chefs reminded us that different species of fish thrive in the seas around our island depending on the time of the year. But as few of us cook and shop in supermarkets selling only imported produce, we have lost such knowledge of how nature works…
Estonian indie publisher Lugemik on its last decade, and why it still takes forever to reply to emails
When graphic designer Indrek Sirkel first conceived Lugemik, he planned to translate and publish important texts about design and art into Estonian. A decade on, his publishing initiative has become known for the opposite: translating art and design from the Baltic state and bringing it to the rest of the world.
The plan changed when a client of Sirkel, Mari Laanemets, wanted a catalog for a show she was curating but lacked the budget for a traditional publisher. Sirkel, a graduate of the Gerrit Rietveld Academy in Amsterdam, offered to design and publish Life Would Be Easy in 2010. This was quickly followed by several exhibition catalogs with other artists from Estonia, and Lugemik was born, co-founded with Anu Vahtra.