Over the last decade, some 20 titles have sprung up from Singapore, riding the wave of its cultural renaissance and defying the fact the city-state was once known for its tight media censorship (Singapore still ranks 154 out of 180 in the 2016 World Press Freedom Index). Over the decade or so though, the Singaporean government has pumped in millions of bucks to grow its creative sector and nurture creativity among its citizens—and an independent magazine scene has flourished from this intersection.
What would a day in Singapore look like come 2065?
10 designers and 10 illustrators from this city present their visions of her future today.
Responding to 10 speculative questions of how we will communicate, connect, dress, eat, learn, live, play, relax, travel and work, these creatives were paired up to discuss and create stories together on one assigned aspect of life in Singapore on its centennial.
Through vignettes written by myself, concepts imagined by the designers, and narratives drawn by the illustrators, we invite you on a journey to discover the possibilities and pitfalls of life in this little red dot tomorrow.
Communicate: Danny Tan & Caleb Tan
Connect: Randy Chan & Lee Xin Li
Dress: Alfie Leong & Teresa Lim
Eat: Kinetic Singapore & Chris Chai
Learn: Joshua Comaroff & Esther Goh
Live: Tan Cheng Siong & Sonny Liew
Play: Hans Tan & Andre Wee
Relax: Nathan Yong & Ng Xinnie
Travel: STUCK Design & Dan Wong
Work: forest&whale & Koh Hong Teng
Come by the F1 Pit Building from 7 to 12 March to check out the exhibition. We’re also having a chat with some of the teams on 11 March, sign up here.
Though the way Singaporean design studio Fellow describes itself on its website may beat around the bush a bit, the young practice is all about creating approachable work. In just the past year, founders Izyanti Asa’ari and Iffah Dahiyah have steadily built a reputation with projects like interactive exhibitions on lost Southeast Asian films, or a series of booklets showcasing the national library’s arts collection—just two examples of the bright, typographically sensitive designs that Fellow delivers to its mostly arts and cultural clients. Some have labeled Fellow’s designs “cute,” which Izyanti refutes outright. “I don’t wanna be cute!” She and Iffah prefer empathic.