Category: Media

How Innovative Print Publishing Takes Creativity from Local to Global

Estonian indie publisher Lugemik on its last decade, and why it still takes forever to reply to emails 

When graphic designer Indrek Sirkel first conceived Lugemik, he planned to translate and publish important texts about design and art into Estonian. A decade on, his publishing initiative has become known for the opposite: translating art and design from the Baltic state and bringing it to the rest of the world.

The plan changed when a client of Sirkel, Mari Laanemets, wanted a catalog for a show she was curating but lacked the budget for a traditional publisher. Sirkel, a graduate of the Gerrit Rietveld Academy in Amsterdam, offered to design and publish Life Would Be Easy in 2010. This was quickly followed by several exhibition catalogs with other artists from Estonia, and Lugemik was born, co-founded with Anu Vahtra.

➜ Read the full story in AIGA’s Eye on Design

[FEATURED] Drawing From The Past

BY TAY SUAN CHIANG

SINGAPORE’S TRANSFORMATION from a small fishing village to a modern city today can be seen through its architecture – from the kampong houses of old to today’s gleaming skyscrapers.

What’s less obvious is that our history can also be seen in other ways, from old school matchbox designs to…

➜ Read the full story in Business Times Lifestyle

What You See Isn’t What You Get

Look up ‘contemporary Vietnamese architecture’ online and be awed by the breathless streams of ‘green’ buildings that seemingly define this Southeast Asian country. Houses with trees growing out of them, dwellings wrapped up with greenery and even architecture made entirely out of bamboo — these were the images I took with me on my maiden visit to Ho Chi Minh City this year.

Imagine my surprise upon encountering a concrete jungle instead. I found a hyperdense environment overgrown with rows of narrow ‘tube houses’, and increasingly, boxy glass-and-steel complexes brought into being by the rapid economic growth of Vietnam’s largest city. The streets were swamped with motorbikes, many offering the only ‘greenery’ with their Grab-branded vests and helmets.

This chasm between Ho Chi Minh City IRL (in real life) and its representation in the architecture and design media a is a telling sign of how the proliferation of images has made us myopic.

➜ Read the full column in CUBES #92 (Jul/Aug/Sep 2018)