Category: Design

Classrooms for Singapore’s Future

Classrooms_Lekker

Coastlines, canals, and carparks are just some of the unusual locations in Singapore for tomorrow’s pre-schools if Lekker Architects have their way.

In anticipation of the government’s plans to build more pre-schools, philantrophic organisation Lien Foundation approached the architecture firm last year to rethink the design of educational spaces for young children.

The result is “A Different Class: Preschool Spaces Redefined”, a collection of 10 pre-school designs that break out of the current enclosed units commonly found in the void decks of public housing estates here. Not only did Lekker try to invent new concepts for what pre-schools in Singapore could be, they also sought out unconventional locations for them so as to overcome the existing limitation of where they are typically housed.

“Schools are currently built in a narrow range of settings and many of these, such as void deck units, constrain the potential of design and hamper the creation of compelling buildings for our children. Inspiring spaces are all around us. These include highway buffers, large drains and our beaches and waterways,” said Lien Foundation chief executive Lee Poh Wah to the Straits Times.

More than just fantasy proposals, Lekker ensured the feasibility of their proposals by scouting possible locations for each, and they have been included in the report. Their different designs were also guided by 10 principles that include learning through experience and playing, fostering a sense of community and ownership, and creating spaces that are distinctive and sensitive to their location.

Lekker’s concepts are free for anyone to use and you can check them out on A Different Class where the full report designed by Epigram is available for download. You can also vote for your favourite designs, suggest locations, and from now till 30 September, propose better concepts and stand to win an iPhone 6+.

Hands-on Designers

Singapore graphic design studio, ACRE, plough the fields of craft and design to keep their creative passions burning.

ACRE

They came together to create a platform for creatives as a fun project, but the duo enjoyed working together so much that they started their own creative company as well.

Co-founders of ACRE, Zheng Tian Yu (better known as TY Zheng) and Jason Song, were friends in church when they created Hello Playground in 2010, an online website to showcase the work of talents in the creative scene. While the venture did not take off, the relationship between Jason and TY did. The former was jaded from his time spent as a copywriter in advertising agencies, and was planning to leave the industry to open a café until he met TY and proposed they open a design studio together instead.

“I felt this was the right thing to do as it resurrected my desire to do creative things,” says Jason. “I like his work and I saw the potential for a really talented art director to become his own creative director.”

The decision came less easily for TY, who was then in his fourth year working for local independent branding studio Foreign Policy Design Group. “If he didn’t ask me, I would probably still be there. It took me a long time to consider,” says TY. “He put up a very attractive offer, we clicked, and it was quite simple in that sense.”

Read the rest at art4d (Issue 207)

Catalysts for Change

Only a year old, studioKALEIDO is challenging the boundaries of Singapore’s creative scene through its works and projects.

studioKaleido

Writer Amanda Lee Koe is ever ready for conversation, and enthusiastic to talk about her studio’s work. However, graphic designer Winnie Wu (formerly known as Winnie Goh) is more reticent, preferring to let her work speak for itself instead.

Together, they form studioKALEIDO, a Singapore communications studio that like their union of opposites, has been bringing together the city’s different communities through a variety of projects. From breaking cultural boundaries to fostering collaboration amongst creative disciplines, and even connecting the young and old — the studio has done it all in only its first year of operations.

Read the rest at art4d (Issue 208)