Category: Media

Five things I’ve learnt in a year as a writer

When I first graduated from journalism school, I only knew two things: I can write and I like to share my discoveries. I decided not to take the conventional route of joining a newspaper like The Straits Times because I didn’t like what I saw or heard about it. Instead, I embarked on a career as an independent writer, taking on assignments to earn a living. This morning, I woke up to realise it’s been just over a year since I began this journey. The pay’s been ok, the assignments not bad, but the lessons about writing in Singapore have been the best, and here are five I’ve learnt:

Most people don’t read.
It’s true. People here watch and listen for information, more than they sit down and read something. And when they do read, who cares who wrote it? Unless of course, you are really good, or bad, or award winning. Then maybe, just maybe, they will wonder: Who wrote this ah? At the end of the day, written prose is just a form of information, and not always the best one (especially when not in point form).

Some people just like the image of the word.
Sure, people don’t read, but it’s not to say people don’t want to see words. You see, ‘words’ have gained a cultural value beyond the fact that they mean something. Often, being able to read a lot of text is seen by many here as a mark of someone intelligent and sophisticated, so that’s what writers here are paid for — the ‘image of the word’. No need to think so much about what your writing means, just fill it with words, chim ones, of course.

‘A thousand words typed for every hundred you are reading.’
This title is inspired by the exhibition title of an local artist, because writing is a form of craft. Most people only get to read a clean and crisp copy, and have this false image of a writer being a coherent being who churns out something in minutes. The truth is I could be sitting in front of this screen typing for hours and you’ll not read any of it. The process of writing is arduous, repetitive and painful. I probably press the ‘delete’ button more than any other, but when a writer finally thinks what is written is ready to be read, the feeling is just magical. Or he/she is just totally numb already.

We earn more per word, but we work harder with less words.
I don’t understand the concept of paying a writer by the number of words he/she writes. It’s so easy to blabber and fill up a page with words (to a certain word count), but to be precise and concise is so much more difficult. How to say more with less? Pay me more not less!

A picture paints a thousand words
Notice how this oft-used phrase to put down text actually suggests words to be the building blocks for visual expression? Enough said.

Information Explosion And Journalism

On a trip back to my alma mater today for a meeting, I chanced upon this article in the school’s newspaper, The Nanyang ChronicleIEM pioneers worry about their jobs. It seems that NTU’s first batch of Information Engineering and Media students don’t really know what kind of jobs they can snag with their degrees. Here’s a suggestion: work as journalists.

Based on the curriculum outlined on their website, I think these students are equipped with the technical expertise and the visual skills to create data visualisation. This is a new form of journalism that will become increasingly useful in helping us make sense of a world increasingly awashwith data. Watch this excellent video, Journalism in the Age of Data, to figure what this is all about and some of the issues involved.

However, there is one issue that I think will severely hinder the development of this kind of journalism here — the lack of readily available data. It’s not that it isn’t being collected in this high-tech country, but such data is just not readily made available to anyone except the authorities. For instance, think about how every car in Singapore has an in-vehicle unit that generates a dataset about car usage patterns in Singapore. What is lacking, however, is the presentation of such data in a visual form to help the public better understand how our society depends on cars.

Through the lens of The Straits Times

Just over two weeks ago, Straits Times launched Through the lens, a micro site that features the work of its photojournalists as well as the best pictures from around the world. Today, visuals and multimedia proliferate our world and have also become an integral part in telling the news. In recent years, the latest camera technology that combine photography and videography has also given rise to “multimedia storytelling” — the use of images and audio to present a story (But isn’t it still video?). More and more, photojournalism is no longer just about having a spread on the newspaper or a photo gallery online, and ST is not alone in doing this, The New York Time started its Lens blog over a year ago.

For me, what’s unique about Through the lens is its Flashback section. A media institution like the Straits Times probably holds the biggest archive of pictures of Singapore’s history, and it’s great to see it finally come to public light. Thus far, you can see what the National Stadium, Hong Lim Park, Miss Worlds, and even how flooding looked like in the past. These photos help to add historical context to some of the recent issues the print stories have brought up.

Through the lens is an important development for ST’s photojournalists. They have long been seen as sidekicks to the journalists who write the story, yet, people remember photos and are drawn to it first before even reading the news. This website finally gives ST’s photojournalists their own platform to showcase more of their photos, as many often do not make it to print. More importantly, it gives them their own voice to author their own stories. Many of the photo essays and multimedia currently up were done in conjunction with print stories. However, there are now some web-only and photo-only stories. One that caught my eye was Kiddy Rides, a on-going photo essay documenting the colourful machines that would rock children for a few minutes with music. These are gradually disappearing from Singapore after a 2007 shophouse fire in Hougang led to a tightening of rules on how spaces outside shops are used. This is a story that is definitely more interesting visually than in print and Through the lens and opens up an avenue for work-in-progress photo collections.

Kiddy Rides

It’ll be interesting to see how Through the lens develops in the coming months. Will it be actually enhance the role of photojournalism in ST or become a container for the paper to keep photojournalism online? From what I understand, this site means more work on top of the daily assignments for the photojournalists, so it’s really a labour of love now more than anything that is keeping it alive currently.