Category: Design

30 Years of Conservation: Science of Restoration

To ensure historic buildings last, we need to pay closer attention to the science of restoration, suggests Dr Yeo Kang Shua, a conservation expert.

Exposing an old building’s brick walls has become trendy to show its historic value. But this could be doing more harm than good, says Dr Yeo Kang Shua.

Not all bricks are fired to withstand the elements openly, and the contemporary practice of applying an adhesive to create such designs often damages a building in the long run.

As adhesives are hard and the bricks are soft in comparison, such walls will typically cave in over time, says Kang Shua, the Associate Professor of architectural history, theory and criticism at the Singapore University of Technology and Design.

Focus on materials

Such “purely aesthetic” practices may cause Singapore to lose its built historic fabric. Thus, Kang Shua has been advocating for a more scientific focus for restoration work. He first got interested in this topic while interning at RSP Architects Planners & Engineers, which was then restoring the Lian Shan Shuang Lin Monastery and the House of Tan Yeok Nee.

Since attaining his PhD in architecture history and theory at the National University of Singapore, Kang Shua has taken up a variety of roles as an academic, advocate and even practitioner — all with an eye on improving the profession’s understanding of the materials that make up Singapore’s historic buildings

“When we say restore back to original, at the end of the day, a temple looks like a temple, a church looks like a church, you do not change the motifs,” he says. “The question is how do you do it? How do you make sure there is no change? There is a lot of very grey areas.”

➜ Read the full story in 30 years of conservation in Singapore since 1989

Housing Singapore’s Smart Nation

As more data centres are built to power the city-state’s digital transformation, the design of these high-tech boxes become ever more important.

Former Credit Suisse Asia Pacific Regional Data Centre by AWP Architects. | PHOTO: DON WONG

What do “The Internet” and “The Cloud” look like to you? Even a Google search turns up nothing more than diagrams of seemingly invisible networks that connect the world’s computers, phones and devices. Well, stop looking up and start looking around, because the world wide web exists in plain sight across Singapore. Inside buildings known as “data centres” are the racks of computers that form part of the network which we increasingly depend on in our everyday lives.

They are alongside motorists as they travel down the Ayer-Rajah Expressway—between the flyovers at Buona Vista and Portsdown. One is a neighbour to residents living in the public housing blocks along Serangoon North Avenue 5. Another greets students across the road from Corporation Primary School. These data centres are where information is collected, stored, processed, distributed and accessed, and they are all part of a web of similar facilities connected around the world via fibre cable and satellite.

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No Longer Apart, but A Part Of

When a landscaped pedestrian mall was introduced along Orchard Road in the 1970s, it seemed like a perfectly good idea. A tree-lined retail boulevard would bolster Singapore’s then emerging ambitions to become a ‘Garden City’, and offer shoppers shade as they went from mall to mall. Today, the stretch (over two kilometres long) is invaded by thousands of birds. Roosting on the canopies of the Angsana trees, the birds poop on the mall, terrorise patrons at the alfresco cafes and declare their presence every evening with a deafening cacophony.

A greener environment has made Orchard Road ‘A Great Street’ (as its tagline goes) not just for people, but ‘pests’ too. As urbanscapes become increasingly designed with and for nature, such conflicts are sure to grow. Trees and shrubs are not objects designed for users. Nor are they simply another material on a mood board. These living organisms are part of an ecology that architects, designers, clients and users must become more aware of for us to truly live in works that embrace nature.

➜ Read the full column in CUBES #97 — Re-Nature (Oct/Nov/Dec 2019)