Category: History

Is the Fight to Revive Traditional Letterpress a Losing Battle?

A handmade Chinese type specimen book—every letter is individually pasted—from a now defunct printer in Singapore.

Ask any letterpress lover why they favor the old-school printing method, and they’ll likely tell you it’s less about the look and more about the feel. But that tactile impression was actually considered terrible printing in the past. Traditionally, letterpress aimed to print without showing any relief—a principle that has been conveniently forgotten amidst the contemporary revival of this centuries-old craft.

This is just one of the misconceptions traditional letterpress studio TypesettingSG was set up to address. In 2014, after learning how many newly established letterpresses in Singapore were unaware of the history and were giving a new generation of printers an incomplete introduction, designer Yao Yu Sun quit his design job and started his own studio in order to provide a more thorough education.

Read the full story in AIGA’s Eye on Design

A Tune of His Own: Theseus Chan and WORK

TDSJ-Paper-No-0

What do you hear when a song plays, the instruments or the lyrics? Just as sound and word come together to give music, graphic design can be broken down into a composition of image and word.

The works of Theseus Chan, however, challenge this neat separation of elements. In his print designs, words behave like images, and images are to be read like words. Letters amass to give texture or stand out to aunt their forms. Pictures sit side by side in conversation or are cropped to o er questions. We are confronted with a visual language that defies a straightforward line of communication.

Read the rest in The Design Society’s Paper N°0: Theseus Chan WORK

Don’t Be Silly! Language and Design Piracy

Dont-Be-Silly

Before its recent aspirations to become a design city, Singapore’s intellectual property system was relatively undeveloped like many developing nations, allowing piracy to thrive. Don’t be Silly! is a 4-page insert examining a 1982 legal case between two manufacturers of polypropylene chairs — the British Hille International and the local Tiong Hin Engineering — and the role of language in piracy.

This was specially created for the Singapore Art Book Fair 2016, and it builds upon the Design Piracy Institute project I launched at D-Crit as part of my MFA thesis. Risograph printers Push—Press were commissioned to print a special edition of my thesis with this insert. Limited copies are still available for sale and shipping is free worldwide.