What would a day in Singapore look like come 2065?
10 designers and 10 illustrators from this city present their visions of her future today.
Responding to 10 speculative questions of how we will communicate, connect, dress, eat, learn, live, play, relax, travel and work, these creatives were paired up to discuss and create stories together on one assigned aspect of life in Singapore on its centennial.
Through vignettes written by myself, concepts imagined by the designers, and narratives drawn by the illustrators, we invite you on a journey to discover the possibilities and pitfalls of life in this little red dot tomorrow.
Communicate: Danny Tan & Caleb Tan Connect: Randy Chan & Lee Xin Li Dress: Alfie Leong & Teresa Lim Eat: Kinetic Singapore & Chris Chai Learn: Joshua Comaroff & Esther Goh Live: Tan Cheng Siong & Sonny Liew Play: Hans Tan & Andre Wee Relax: Nathan Yong & Ng Xinnie Travel: STUCK Design & Dan Wong Work: forest&whale & Koh Hong Teng
Come by the F1 Pit Building from 7 to 12 March to check out the exhibition. We’re also having a chat with some of the teams on 11 March, sign up here.
Architect William S.W. Lim’s radical ideas on the Asian city were the subject of a playful exhibition on city life at the NTU Centre for Contemporary Art Singapore.
That no architecture models could be found in an exhibition about an architect speaks volumes about the work and diverse influences of William Lim Siew Wai. Though the Singaporean architect has practised for over four decades—having worked on projects ranging from the brutalist mixed-use icon Golden Mile Complex (1974), to the recently demolished postmodern Gallery Evason Hotel (2000)—Lim is best known today as an advocate. His message is that cities in Asia can develop their own urbanism and people can be involved in building cities.
Though the way Singaporean design studio Fellow describes itself on its website may beat around the bush a bit, the young practice is all about creating approachable work. In just the past year, founders Izyanti Asa’ari and Iffah Dahiyah have steadily built a reputation with projects like interactive exhibitions on lost Southeast Asian films, or a series of booklets showcasing the national library’s arts collection—just two examples of the bright, typographically sensitive designs that Fellow delivers to its mostly arts and cultural clients. Some have labeled Fellow’s designs “cute,” which Izyanti refutes outright. “I don’t wanna be cute!” She and Iffah prefer empathic.