There was precious little to celebrate when the Singapore Stamp Club commemorated 100 years of postage stamps in 1967. The accompanying exhibition booklet was very blunt in describing the dismal state of Singapore’s philatelic scene:
“Against the increasing tendency of practically every other country in the world to issue more and more commemorative stamps each year, the conservative policy of Singapore must be almost without an equal.”
Between self-government in 1959 and merger with Malaysia in 1963, and independence in 1965, Singapore issued only eight commemorative stamp series to mark these historic occasions. Unlike definitive stamps that are meant for everyday use, commemorative stamps are issued to record national milestones and showcase Singapore’s culture, customs and identity to the world. This was a lost opportunity according to the booklet: “What other country can claim to have issued a total of only 21 commemorative stamps in the past 8 years!”
The paucity of such stamps was not the only issue plaguing the Singapore stamp scene at the time. Almost a year after the exhibition at the National Library at Stamford Road, then Minister for Communications Yong Nyuk Lin noted that local stamps were generally “dull” and suffered from “disappointingly low” sales.
To fix the situation, the government set up the Stamp Advisory Committee (SAC) in 1968. “This situation certainly calls for immediate remedial action and in line with present Government policy of increasing productivity and to raise additional revenue, wherever possible,” said Minister Yong at the inaugural meeting of the SAC, adding, “… there is no reason why we cannot use more imagination and drive in the creation of attractive designs for our postage stamps…”
Whether it is a chair, a shelf, or bed frame, every IKEA knock-down product is sold around the world with a similar assembly instructions design meant to be understood regardless of language, culture or experience in building furniture.
No words are needed when it comes to assembling a piece of IKEA furniture. Accompanying the Swedish company’s knock-down wares is a set of assembly instructions that must guide Russians, Americans, Chinese, Egyptians, Dominicans and other nationalities to build their own IKEA products simply by following a series of line drawings.
Every IKEA assembly instructions begins with a promise: an image of what the product looks like when put together successfully. A comic strip comes next, as a cartoon character gives out general tips, including an assurance that any doubts can be addressed by calling the company — although no number is given. After running through a check-list of tools provided, the customer is ready to begin self-assembly. Step-by-step, the following pages illustrate how the dismantled pack of parts are assembled into the product when the instructions are carried out.
This formulaic instructions design is what IKEA has been developing since launching the LÖVET side table in 1956, the company’s first self-assembled product. While no instructions were needed to put together this simple three-legged leaf-shaped table, the product kickstarted IKEA’s expansion into knock-down furniture and led to the birth of its assembly instructions. Founder Invar Kampard started selling such furniture in his mail-order business after seeing company designer Gillis Lundgren saw off the legs of a table to transport in his car. The Swedish entrepreneur realized the sale of knockdown furniture meant the most expensive parts of his business — assembly and transportation — were shared with customers instead. Read more
Die-hard Singapore football fans will proclaim the late 1970s and early 1980s as the best times for the national team. With the likes of “Gelek King” Dollah Kassim, the tough-tackling Samad Allapitchay, the Quah brothers and a then rising star in Fandi Ahmad, the team made it to seven consecutive Malaysia Cup finals and won twice. Their exhilarating performance on the pitch was captured in countless write-ups in the local newspapers, including a editorial cartoon in The Straits Times known as Sham’s Saturday Smile.
This creation of graphic artist Shamsuddin Haji Akib offered avid football fans fans like himself a punchline on Singapore football, bringing smiles to fans looking forward to Malaysia Cup matches every weekend. After a commentary on how the national team’s performance was being disrupted by coach Trevor Hartley’s ever-changing line-ups, Shamsuddin depicted him as a mad scientist who would not stop experimenting. Responding to various reported incidents of unruly behaviour amongst fans and players, he turned in cartoons with referees wearing helmets and Hartley learning the Malay art of self-defence, bersilat, to control his players.