Huat Ah!

They were once found everywhere around the city. Tickets to the Singapore Sweep used to be strung across the counter of mamak shops (local convenience stores), neatly lined up on the tables of newspaper vendors and even peddled at the hawker centres by enterprising individuals. For a dollar, and eventually, three dollars, these slips of paper offered anyone a small chance to hit the jackpot. This monthly lottery, organised by the Singapore Pools since 1969, was one of the earliest forms of legalised gambling in the country. It was also its most visible—coming in eye- catching designs that even became a collector’s item.

This colourful chapter of the national lottery ended in July 2018, when the Singapore Pools began printing its tickets in the form of receipts like the company’s other popular lotteries, such as 4D and Toto. We look back at the Singapore Sweep’s design history to discover how its tickets were not just about form but function too.

1969: Singapore Sweep Goes National

SOURCE: SINGAPORE POOLS

Establishing a legalised national lottery was a controversial decision in 1960s Singapore as some feared it would encourage gambling. But the practical need to bring in revenue for the young nation and stamp out illegal gambling eventually outweighed this concern. In 1966, the Singapore Turf Club started a “Singapore Sweep” to raise funds for charitable causes. After the government established the Singapore Pools as its national lottery operator in 1968, the Singapore Sweep became part of this new organisation’s plan to raise funds for the construction of the country’s first national stadium. This is why a model of it featured prominently on this ticket printed for the lottery that was held on 28 February 1969.

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A City for Nature

Singapore designs not just for its people, but its animals too.

Three months after its operation, Jary wears his designed casque with pride. PHOTO: DON WONG

With its long yellow beak topped with a prominent “helmet”, Jary looks just like any Great Pied Hornbill. This species is well known for its distinctive casque, which helps to broadcast the bird’s harsh staccato cackling that goes “Yak-yak-yak!”

Jary’s “casque”, however, does all of the above—and more. But only an eagle-eyed visitor at the Jurong Bird Park would notice the line of screws holding down what is actually a prosthetic on the hornbill’s beak. Last year, when the 22-year-old was diagnosed with cancer on his casque, the park’s veterinary team surgically cut out the affected area and installed this specially designed casque.

“Our first reaction was, ‘Wah! Why (is Jary) like that’,” recalls industrial designer Eason Chow who created Jary’s prosthetic as part of a team from the Keio-NUS CUTE (Connective Ubiquitous Technology for Embodiments) Centre, the NUS Smart Systems Institute and NUS Centre for Additive Manufacturing.

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Housing Under the Sea

One of the eight reef structures being lowered into the waters off Sisters’ Island Marine Park PHOTO: NATIONAL PARKS BOARD

Over the last five decades, Singapore has successfully built quality high-rise public housing that now houses over 80 percent of its resident population. But increasingly, it is not just people but also animals in the city-state that can proudly claim to live in a home designed for them.

From intelligent nests for hornbills to hotels for bees, the government has been creating structures to help different species thrive in an effort to strengthen Singapore’s biodiversity. One of its newest initiatives is the nation’s largest purpose-built reef within the waters of Sisters’ Islands Marine Park, located just south of the mainland. Five 11-metre and three 6-metre tall structures have been installed on what was previously relatively flat and bare seabed. Akin to three-storey terrace houses, they hope to eventually be home to some 1,000 square metres of reef substrate and other marine life. If successful, this pilot will pave the way for future restoration efforts in Singapore. Over the years, the city-state has lost some 60 percent of its reefs because of extensive development and reclamation over the years.

The government agency JTC first conceptualised this project in 2010 to support efforts in enhancing the city-state’s marine biodiversity, particularly in the face of climate change and increasing coastal developments. While it is better known for the planning and development of Singapore’s industrial infrastructure such as the petrochemical complex, Jurong Island, this was an opportunity for JTC to lend its engineering and design expertise to scale up previous efforts to restore the city-state’s coral reefs.

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