PHOTOS: Clarence Aw
How and what does it mean to eat together today? My partner and I present Eating Together: The Design of Sharing Food in a Connected World, an exhibition that examines the objects, systems and spaces that help us share food today.
Commissioned for the inaugural FoodCine.ma 2016, this showcase presents 15 objects, speculative designs and installations that arise out of observations of how design facilitates the ways we eat together in Singapore. Whether it is consuming forever “fresh” food, having meals at our hawker centres, dining in both life and death, or eating with digital devices, we invite visitors to look at eating beyond a mere ingestion of food, but as a consumption of values and cultures.
Now on at Objectifs – Centre for Photography and Film until 22nd May, 2016. More details on our Facebook event page.
Before its recent aspirations to become a design city, Singapore’s intellectual property system was relatively undeveloped like many developing nations, allowing piracy to thrive. Don’t be Silly! is a 4-page insert examining a 1982 legal case between two manufacturers of polypropylene chairs — the British Hille International and the local Tiong Hin Engineering — and the role of language in piracy.
This was specially created for the Singapore Art Book Fair 2016, and it builds upon the Design Piracy Institute project I launched at D-Crit as part of my MFA thesis. Risograph printers Push—Press were commissioned to print a special edition of my thesis with this insert. Limited copies are still available for sale and shipping is free worldwide.
What would a building have to say on the subject of love? For five years, this unusual question has brought together poets and graphic designers to give a voice to The Substation, an independent arts center housed inside an old power station in Singapore. Each month“The Substation Love Letters Project” has issued a free postcard featuring the commissioned poem and accompanying graphic interpretations, to talk about what love means—from the point of view of the Substation itself.
This idea was dreamt up in 2010 by then newly appointed artistic director, Noor Effendy Ibrahim, as an affordable means for the center to address the public. Instead of producing a marketing flyer, The Substation’s team (namely Annabelle Aw, and later, Chris Ong) worked with local poet Cyril Wong to curate a thematic series of love letters. Each year, the center seeks out 12 Singaporean poets to muse on love in a variety of languages, and then invites a graphic designer to visually interpret them.
➜ Read the full story in AIGA’s Eye on Design