Tag: Design Archives

How One Couple Turned a Graphic Design Hobby into a Major Modernist Collection

Examples of Swiss Style design from the Display collection

They collect books, magazines, posters, and ephemera for inspiration just like many other graphic designers, but Kind Company’s Greg D’Onofrio and Patricia Belen aren’t your average graphic design hoarders.

Their collection of book jackets by American designer Alvin Lustig, ads for Milanese tire company Pirelli, and classic design periodicals like the Swiss Typographische Monatsblätter are just a slice of the mid 20th-century graphic design the duo have amassed over a decade. With over 3,000 pieces of works housed within drawers, archival boxes, and bookshelves stored inside their 650-square-foot home office on the Upper East Side of New York City, the couple have literally built a house for modern graphic design.

Read the rest at AIGA’s Eye on Design

Sharing Storied Designer Seymour Chwast with the Digital Generation

Seymour Chwast is a well-known name in American graphic design history, but how many people have seen the breadth of his over long (six decades and counting) career?

At the recently launched Seymour Chwast Archive, anyone around the world can now scroll and click into Chwast’s witty and provocative oeuvre in the comfort of their pajamas. From a 1940s illustrated book featuring protesting farm animals to a 2011 woodcut portrait of The Notorious B.I.G for Fader magazine, this digital-only archive features some 300 posters, books, identities, and paintings by Chwast, once described by former colleague Milton Glaser as a “brilliant typographer, terrific designer, unique illustrator” all rolled into one.

Read the rest at AIGA’s Eye on Design

You Can Touch Me: Visiting the Herb Lubalin Study Center of Design and Typography

A mock-up of an advertisement Lubalin designed for U&lc magazine

It’s a dream playground for lovers of graphic design: rare periodicals like Massimo Vignelli’s brand manual for the New York City subway, drawers of catalogues and brochures that Lou Dorfsman art directed for CBS, and close to everything—from logo sketches to magazines like U&lc—that Herb Lubalin designed in his lifetime.

What’s even better than seeing these design classics in real life? At the Herb Lubalin Study Center of Design and Typography, you get to touch them all. Located at the basement of The Cooper Union’s newest shiny stainless steel complex is this archive of some of the most significant pieces of mid-century graphic design from the United States and Europe.

Read the rest at AIGA’s Eye on Design