Tag: Singapore Design

The IT Revolution: Powering Up Singapore’s Industrial Design

It was once touted as the world’s slimmest and lightest notebook personal computer. Weighing 2.1 kilograms and just under 3 centimetres thick, the IPC Porta-PC 386SLP3 Notebook Computer was a piece of cutting-edge technology.

Today’s “ultraportable” laptops come in half the size, but when the Porta-PC debuted in 1992, its sleek form and black anodised aluminium casing then stood out amongst its boxy plastic competitors. What many probably didn’t know too -this high-tech product was designed and manufactured entirely in Singapore.

The Porta-PC was awarded the Singapore Design Award in 1992 and the judges commended David for giving the design a “star quality”.

A creation by computer firm IPC Corporation and industrial designer David Chen, the Porta-PC was part of a wave of consumer electronics Singapore made for the world in the 1990s. These rolled out from an Information Technology (IT) industry that arose out of the government’s push for Singapore to ride on the then emerging IT wave. Beginning in 1981, the National Computer Board was set up to implement computerisation in the public service. As this revolution spread to the private sector in the following decade, manufacturers of consumer electronics in Singapore, ranging from multinationals such as Philips, Hewlett-Packard, Motorola and Sony, to local start-ups like IPC and Creative Technology, assembled teams of engineers and industrial designers to invent and manufacture IT products.

Besides the PortaPC, David also designed several computers for IPC include the Uosys. This is his original sketch and the final computer as shown in its product sheet.

While David and his consultancy Studio Industrial Design also designed desktop computers, printers and keyboards, he fondly remembers the Porta-PC because it clinched the nation’s then top industry accolade, the Singapore Design Award in 1992.

“I wasn’t thinking of competing (for the world’s slimmest laptop). We were just using our brains to see how to minimise it,” says the industrial designer who returned to Singapore in the late 1970s after studying and working in the United Kingdom. “Now people use titanium… but that time, nobody in the world had done it (use aluminium).”

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Lessons in the “New Ugly” School of Design

“If we always follow the rules set by designers who lived in the 20th century—but we live in the 21st century—then what are we blindly following?”

Sometimes the best projects start on a whim. Just ask Singaporean graphic designer Darius Ou: his Autotypography project started six years ago while he was bored at design school, and has since evolved into a collection of 365 posters that have found their way into college study materials, and now are showing as part of the Dissolving Margins exhibition at Lasalle’s Institute of Contemporary Arts Singapore.

Autotypography was born when Ou decided to create one A4 poster a day. Over a year, this “visual diarrhea” of his life—hence the wordplay on “autobiography”—evolved into a “semiotic playground.” At the beginning of the project, Ou experimented with breaking the cardinal principles of “good design” because it looked “cool”—from stretching typefaces to blending amorphous forms—but midway through, the project turned into more of an inquiry into visual culture. Autotypography helped propel Ou to becoming one of the foremost proponents of the “new ugly” in Singapore.

➜ Read the full story in AIGA’s Eye on Design

[FEATURED] Devour the extensive design feast that is The Singapore Graphic Archive

BY JYNI ONG

The Singapore Graphic Archive is a visual treat for any design enthusiast. Founded in 2011 by Justin Zhuang, the archive is a treasure trove of vintage Singaporean design created before the 2000s. The entire archive, in its web and Instagram form, is solely down to Justin’s interest in his country’s design history.

After writing a book titled Independence: The History of Graphic Design in Singapore since the 1960s, Justin compiled his research into the archive. Collecting material from interviewees, old newspapers, publications and more, the archive highlights beautiful design from matchboxes to bus times guides uncovering Singapore’s rich layers of history, from its colonial past to its economically prosperous present.

➜ Read the full story in It’s Nice That