Category: Design

Book-ing into The National Gallery

Much attention has been given to The National Gallery’s architecture and collection, but less so are the equally beautiful exhibition catalogues and publications coming out from Singapore’s latest arts destination. While printed books may seem archaic in today’s digital world, they remain the best medium—for now—to allow visitors to take home the vivid artworks they encounter during their visits to the museum.

This was struck me after encountering Somewhere Else’s design for Seeing the Kites Again, a publication showcasing the expressive calligraphic strokes of artist Wu Guanzhong. The different paper types, the custom typography, and considered layout all come together to produce a handsome publication worthy of this artist.

The studio led by Yong has also produced an equally evocative pair of books for Wu’s Beauty Beyond Form and artist Chua Ek Kay’s After the Rain. 

PHOTO: SOMEWHERE ELSE
PHOTO: SOMEWHERE ELSE

Holding up the National Gallery’s two inaugural exhibitions on Singapore and Southeast Asian art respectively, both covering the 19th century to present, is a modern frame designed by H55 Studio. In creative director Hanson Ho’s typical restrained and minimal approach, Siapa Nama Kamu? Art in Singapore since the 19th century (Malay for “What is your name?”) is reduced to a single line to be filled in, while Between Declarations and Dreams: Art of Southeast Asia since the 19th century has its title visualised with Indonesian poet Chairil Anwar’s statement on the gap between the desire for national independence and its achievement in political terms debossed onto the cover.

PHOTO: H55 Studio
PHOTO: H55 Studio
PHOTO: H55 Studio
PHOTO: H55 Studio

Besides the catalogues, the National Gallery has also made an effort to produce research titles and children’s publications. The former is best represented by a collection of essays on arts and culture by pioneering Nanyang artist Liu Kang, elegantly packaged by The Press Room in a gold, black and white reader.

PHOTO: THE PRESS ROOM
PHOTO: THE PRESS ROOM

 

Of the many titles that have given Singapore illustrators the chance to introduce art to children, Warm Nights, Deathless Days, Sonny Liew’s take on artist Georgette Chen that comes in a thoughtful design of ampulets is a standout.

PHOTO: AMPULETS
PHOTO: AMPULETS

This Annual Report Reads Like a Graphic Novel, Because it is One

Comics and annual reports may sit on opposites ends of the bookshelf, but something kind of wonderful happened when design studio Couple combined them to create George Goes to Japan, a 111-page graphic novel recounting the work of Singapore philanthropy organization Lien Foundation. The medium seemed unconventional to the studio, led by Zann Wan and Kelvin Lok—all the more appropriate for a foundation that believes in “radical philanthropy,” as a method of tackling problems on eldercare, early childhood and water sanitation with “audacious creativity” for social good.

Read the full story in AIGA’s Eye on Design

Eating Together: The Design of Sharing Food in a Connected World

PHOTOS: Clarence Aw

How and what does it mean to eat together today? My partner and I present Eating Together: The Design of Sharing Food in a Connected World, an exhibition that examines the objects, systems and spaces that help us share food today. 

Commissioned for the inaugural FoodCine.ma 2016, this showcase presents 15 objects, speculative designs and installations that arise out of observations of how design facilitates the ways we eat together in Singapore. Whether it is consuming forever “fresh” food, having meals at our hawker centres, dining in both life and death, or eating with digital devices, we invite visitors to look at eating beyond a mere ingestion of food, but as a consumption of values and cultures. 

Now on at Objectifs – Centre for Photography and Film until 22nd May, 2016. More details on our Facebook event page.