A Counterpoint

An exhibition of Japanese street photographer Daido Moriyama’s works was on trend, but missing a critical edge.

PHOTO: Raphael Ong and Christopher Sim

Singapore is having a moment with all things Japanese right now. In September, fashion giant Uniqlo opened a global flagship store in Orchard Road, forgetting its 24 other stores across this city. Homeware retailer MUJI is also expanding here, opening a flagship store next year to join its existing 10 outlets in Singapore. This year also saw the opening of two Japanese food markets, as if there was not already enough Japanese restaurants in this little red dot.

Amongst this Nippon tsunami is also the Southeast Asian debut exhibition for Daido Moriyama, Japan’s “father of street photography” as part of this year’s 5th Singapore International Photography Festival (SIPF). Unlike the consumer-friendly minimalist and kawaii sheen the country has sold to Singapore, however, Daido Moriyama: Prints and Books from 1960s—1980s, confronts viewers with a dark, gritty and stark portrait of Japan.

Read the full review in CUBES #83 (Dec 2016/Jan 2017)

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