Category: Culture

Swapping Designs and Cultures

WebLiving up to its studio name, Foreign Policy Design Group, is helping promote Singapore graphic design by holding an exhibition exchange with design studios from around the world.

The first edition of The Swap Show will see the Singapore studio play host to the works of four design studios from Barcelona. Foreign Policy’s creative director Yu Yah-Leng had stumbled upon the works of Hey Studio, Mucho, LoSiento and TwoPoints.Net online, and was impressed enough by their work to approach them to do an exhibition exchange on a visit to Barcelona last year.

“Most these studios are not super super well-known, but they have wonderful body of works. We thought it’d be a good idea to let people know about them and their works, and not just by looking at them online but seeing the real piece of work up close,” she said in an e-mail interview.

Attendees who pay $15 (on sale for $10 until 1 March) for this month-long exhibition held in the offices of Foreign Policy can expect to see a variety of posters, publications, brand identity, packaging and typographical works from these studios. Yah-Leng says the exhibition, which is part of The Design Society Festival 2013, is not only about celebrating good works, but also a way for Singaporeans to see how design can be culturally, geographically or ideologically influenced.

Besides exhibiting the works of overseas studios, Yah-Leng was also interested in promoting Singapore graphic design to the world. So as part of the exchange, the works of Foreign Policy as well as fellow Singapore design studios Roots, Bureau and Anonymous will travel to Barcelona to be exhibited in June.

Explaining this policy, she said, “We’d think it should benefit both sides and for both cities to see what the other graphic designers’ works are. It’s not just a one-to-one but many-to-many concept.”

The Swap Show is just one programme that reflects the studio’s belief in staying connected with the rest of the world. In the middle of this year, Foreign Policy will swap designers with a studio in Oslo, Norway as part of its Design Diplomacy programme. This is to expose their staff to working in a foreign environment for a period of time and also a chance for Foreign Policy to work with overseas designers.

Said Yah-Leng, “We’d like to think it’s always great to be exposed to things new and alien, that which will open our eyes more, push us to think more/ think deeper/think wider, inspire us and elevate us to high grounds in the cognitive factor.”

At home with the community

Singapore editor Andrew Loh is building spaces for all online, first with socio-political news website The Online Citizen and now publichouse.sg

At the age of 45, he has finally found his calling.

For some two decades, Mr Andrew Loh didn’t know what to do in life. He sold insurance, served as a waiter, opened a restaurant, taught yoga and even tried out as a rag-and-bone man, but he never stayed long in any of these jobs.

That is until he started blogging. What started as a means to voice his opinions and ideas has become his career. For the last four and a half years, Loh has worked full-time on The Online Citizen (TOC), an independent alternative media outlet in Singapore.

It all started in December 2006. Frustrated with what he thought was unfair coverage of the General Elections by the country’s mainstream media, he got together with fellow bloggers Choo Zheng Xi, Gerald Giam and Benjamin Cheah to start TOC as a platform to express their views on Singapore society. They had no “big plan” nor knew anything about publishing, but they have created what is regarded today as one of the leading alternative media for socio-political news in Singapore. Last year, the site received an average of  20,000 to 30,000 views a day, and currently, TOC’s Facebook page has received over 45,000 ‘Likes’.

Despite its politically charged beginnings and reputation, TOC did not set out to be so, says Loh who was its co-editor before taking over as Chief Editor in 2009. Pointing to TOC’s tagline which he came up with, “A community of Singaporeans”, he says: “Like what the tagline says, it was supposed to be a hothouse for different interests and people to come on the same platform. It wasn’t just for a community of politicised Singaporeans.”

A huge reason for its current popularity is its anti-government editorial stance and willingness to champion causes in a tightly-controlled city-state, including fighting for the homeless and abolishing the state’s death penalty. But Loh also points out that its following is nothing compared to what the mainstream media commands, and its controversial reputation is also limiting its inclusiveness. “When you’re perceived as political, people steer away from you,” he explains.

It was this desire to create an inclusive space online that drove Loh to set up publichouse.sg in August this year. He embarked on it after resigning from TOC in June after disagreements with the team. Loh declined to say more, only that both parties have since moved on. Instead, he is eager to introduce publichouse.sg, a website that features inspiring stories of people and communities in Singapore. Comparing it against TOC, he said: “Publichouse.sg is not a political website, it’s a people’s website. I wanted to move away from being always negative and finding fault. This is something that not just I think, but others have told me about TOC,” he says. “It was very tiring inside to be honest.”

What kept Loh working on TOC all these years — surviving financially only on his savings and what little the website got through advertising and donations — was not the site’s fiery opinions against the state, but the stories it published of ordinary people struggling in society. One of his most memorable TOC story was the series they did last year on “beach communities” in Singapore. A tip-off led Loh and his team to discover a community of homeless people living in Singapore’s public parks and beaches. TOC doggedly pursued the story for months, exposing how these people had fallen through the state’s public housing policies. The issue quickly caught the attention of the mainstream media and the authorities.

“A lot of people do charity work to help others, but maybe my contribution is being able to tell their stories through writing. I can’t take care of the elderly in a nursing home, I’m not programmed that way, but I can tell stories,” he says.

BUILDING A HOUSE FOR THE PUBLIC

Five years ago, Loh never thought he would be running his own website. He was running a restaurant with his brother when he started TOC, but unlike his previous jobs, Loh enjoyed this one so much that he left the business to work on the website full-time.

Looking back, he says that this passion for publishing probably comes from his love for current affairs that began when in his 20s. He only studied until his O-Levels, but grew up reading magazines like Time and Newsweek and listened dutifully to his small radio with a long antennae as the BBC brought him breaking news of a changing world in the late ‘80s, from the unfolding conflict in the Middle East, the Tiananmen Square protests, to the fall of the Berlin Wall.

Never being able to settle in a job has also turned out to be a blessing in disguise, he says. By trying anything that came along the way, Loh met people from all walks of life. “When I look back now, all this adds up to what I am doing, I can empathise with the people at the lower end of society when I do stories about them,” he says.

While he was passionate about TOC, running it wasn’t easy. The biggest challenge was not pressure from the government because of its critical stance,  as many would think, he says. In fact, Loh says they never heard from the government until this year when they were gazetted as a political association. This meant that the website had to register names of people who would bear responsibility for it, and TOC was also barred from receiving funds from foreign donors or letting foreigners take part in its events.

Rather, Loh says it was tough running a small-time newspaper with little experience and expertise. Early in the site’s history, the team ran into sagas including accusations of being a media vehicle for an opposition political party. This arose because Loh was TOC’s co-editor and also a member of The Workers’ Party. In 2008, Loh resigned from the party to put the matter to rest, although he adds that he was unhappy too.

TOC trudged on and grew in readership because of the help and support of volunteers, says Loh. “In my years there, we had some 400 plus volunteers writing pieces and supporting us. This is something I am proud of, that Singaporeans are not afraid to help us.”

But relying on volunteers is also one reason why websites like TOC have been looked upon suspiciously as part of a “cowboy town” in the online space, where only those in society’s fringes lurk. Loh disagrees, instead, he thinks Singaporeans are just not used to hearing from a diverse community. But he does agree that the online space is young and still lacks a certain level of maturity. “If you read online, it’s as if the government is wrong about everything,” he says.

With a younger generation that is more expressive and less fearful, Loh thinks Singapore will have to learn how to deal with the mess of opinions. He also feels strongly that Singapore needs a professionally-run alternative media site such as Malaysiakini, The Malaysian Insider and The Nut Graph in Malaysia. Neither TOC nor publichouse.sg qualify because both do not have the necessary resources and expertise. Sounding exasperated, he says: “We have a lot of ex-journalists and very smart people in the media industry, but why are they not starting something like that? Maybe they find it financially unsustainable or they are fearful, but I really hope there will be such a site.”

After five years of learning how to publish online, Loh is realistic about what his websites can achieve. While he believes that alternative online outlets are important because the mainstream media is controlled by the government, he admits that most Singaporeans still trust less what they read online. He also cites a recent report by The Institute of Policy Studies, a think-tank in Singapore, which concluded that despite the flurry of activities online, the Internet had little impact on the results of the state’s recent elections too.

But for Loh, creating and running online spaces like TOC and publichouse.sg have certainly changed his life and views about the community around him. “Having worked with people in the lower strata of society, you realise that no matter how hard their lives are, they carry on. You ask yourself: ‘If his life is ten times harder than yours, what gives you the right to sit on your butt and complain?’”

“If you really care about these people, the issues, and the policies that affect them, then do something. That’s where I am coming from,” he says.

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A feature written for FIVEFOOTWAY magazine’s issue on EVERYONE.

Singapore Design: We Are What We Eat

Where else should Singapore designers look for inspiration but in the nation’s favourite past time of eating? This is the theme of “Makan Time! Tuck into Good Design”, the latest exhibition put up by the Little Thoughts Group, a collective that explores local culture through design.

The group of 18 designers, many who work in multinational companies including Dell and Hewlett Packard, each spent their own time and money to create and exhibit a design prototype inspired by Singapore’s food culture and heritage. The resulting collection is a variety of cutlery that highlight local practices, products that appropriate the imagery of everyday food, and objects that re-interpret how and what Singaporeans eat.

 

 

 

One of the most thoughtful pieces was Chan Wai Lim’s set of cutlery that embody traditional Chinese eating practices (right). To get around the problem of flipping a fish to eat the other side, which is seen as symbolic of a boat being capsized or simply bad luck, Wai Lim created a stand that holds it such that one can eat it from both sides at the same time (background). Another design by the recent winner of the President’s Design Award 2012 for her work on a Dell computer, illustrates the myth that one must  finish every morsel of their food on their plate lest their future partner turns out ugly by putting a face at the bottom of a bowl.

“Makan Time” is the group’s third initiative to come up with Singapore design products since they first got together in 2009. While their first exhibition was inspired by their personal stories, they followed up in 2010 with a design collection based on their memories of Singapore. This current exhibition, after a two year hiatus, is on at the National Museum of Singapore until 27 January.

The marriage of Singapore’s rich food culture with its design scene has been one recurring trend in recent years. One of the earliest compilations was “Shiok! A Gastronomy of Singapore Design” in 2010, which put together the creations of several designers to present the country’s food culture at the inaugural Asia Design Conference organised by the centre of creative communication (CCC), in Shizuoka City, Japan. For years now, there have also been groups such as Triggerhappy, FARM and wheniwasfour that have designed various products related to Singapore’s food culture.

Like the work by the Little Thoughts Group over the years, “Makan Time” is distinct for a functional collection that probably reflects the industrial design backgrounds of its creators. This is unlike other existing food-inspired designs in Singapore that are generally more whimsical, such as re-approprating familiar food items to turn into objects of other uses.

However,  “Makan Time” does reflect the increasing use of narratives to define what is Singapore design, instead of searching for it in a unique form. As I have outlined in “Got Singapore Design?” in The Design Society Journal No. 05, many of such works in recent times look like they can be from anywhere in the world, but seen in the eyes of those familiar with Singapore culture, they take on a different meaning altogether.

Finally, if you are keen to hear from the designers themselves, do check out their forum this weekend, 19 January!