Category: Design

Designing a Photography Festival Campaign With Screen Shots

Featuring virtual desktop windows, stickies, folder icons and even an open iCal calendar, the campaign collateral for this year’s Singapore International Photography Festival resembles a series of Mac screen shots. Well, that’s because they are.

In response to the biennial’s theme The Archive, Singapore-based design consultancy H55 created this visual identity to challenge the traditional image of archives as “dusty boxes of physical materials” and make a statement on photography and its digital nature today.

“Photographs are circulated more than ever online. You may not even have a gallery space or a museum showcase, you can just circulate them on Facebook and Instagram or email your work to somebody,” explains the studio’s creative director Hanson Ho. “A lot of photographs are actually stored in desktop folders, not so much on shelves.”

Read the full story in AIGA’s Eye on Design

State Meddling, Government Funding, Drawing + Passion–Singapore’s New Illustration Scene

Illustration Arts Fest posters featured the works of André Wee and Caleb “bucketcaleb” Tan.
Credit: Illustration Arts Fest

What started ten years ago as drawing sessions for a group of illustrators in Singapore has grown into the inaugural Illustration Arts Fest (IAF), marking a milestone for Singapore’s illustration scene.

The event is overseen by festival director Michael Ng (better known as Mindflyer), and takes place over two weekends that bring together local illustrators and comics creators for workshops, talks, and a marketplace. According to Ng, it’s the “ultimate climax” for a loose network of illustrators that he co-founded with Lee Wai Leng (Fleecircus), and Andrew Tan (Drewscape), the Organisation of Illustrators Council (OIC).

“Who are the illustrators? Nobody knew a few years back,” says Ng. “Clients and friends are finally realizing we have interesting illustrators at home, and that you don’t have to go to Japan or America or England to see something different.”

Read the full story in AIGA’s Eye on Design

Saving Pearl Bank Apartments

Architectural conservation or real estate investment? An essay on the fate of a 1970s style icon that has seen better times.

2016-from-penthouse-level

A 27-storey “green tower” of residences may one day rise up at the edge of Singapore’s historic Chinatown. It will boast the Outram Park MRT station at its doorstep and Pearl’s Hill City Park as its backyard. There will even be an infinity pool and a rooftop garden. But none of these will rival the most attractive aspect of this new development if it ever comes to pass: securing the future of the iconic Pearl Bank apartments and literally giving it a fresh lease of life.

This is architect Tan Cheng Siong’s unorthodox proposal to rescue what was once Singapore’s tallest block of apartments. Having witnessed the 38-storey building he designed over 40 years ago undergo three unsuccessful en-bloc attempts in the last decade, and faced with a 99-year land lease that is almost halfway used up, Tan and a group of residents have taken the unprecedented step of voluntarily applying to the Urban Redevelopment Authority (URA) for Pearl Bank to be conserved. Not only is this the first time a multi-strata private development has made such a request — almost all the 7,200 buildings given conservation status in Singapore thus far have been proposed by the government — Tan’s conservation plan would entail demolishing part of Pearl Bank’s existing five-storey car park to build a new block of 150 apartments.

In an interview in his office at Maxwell House, Tan made clear his views on conservation: as a result of a rising population and the pressure on land resources, high-rise living has become firmly entrenched as part of the societal, environmental and architectural fabric of Singapore. If people have come to accept this fact, why don’t they learn to conserve their ageing high-rise buildings instead of tearing them down?

While Tan understands the pragmatism of maximising land values in land-scarce Singapore, his idealism is tempered by the practical business of living. While Pearl Bank is a vital piece of Singapore’s architectural history, it is also home to the people who live there, many whom are retirees with dwindling incomes. As a result of high maintenance costs and shrinking sinking funds, the apartment building has deteriorated over the years — plagued by broken-down lift shafts, leaking sewage pipes, peeling paint and even rat infestations.

Given its failed en-bloc sales attempts, Tan came up with a radical idea to secure Pearl Bank’s future: seek conservation status for the property and then unlock part of its value by allowing a developer to construct a new block of apartments next to the original tower. The money from the sale of the new flats would then pay for the refurbishment of the ageing building as well as top up what is left of its 99-year lease.

The result would be a modern appendage on his modernist marvel – a concrete materialisation of how architecture, property and conservation intersect in Singapore. “We thought this conservation [proposal] would be a binding force because it would bring them an extension of lease, [and] … a new building,” he says.

Read the rest of the essay in BiblioAsia (Vol 12, Issue 3) Oct-Dec 2016