Tag: Singapore Design

Design50: Designing the Nation’s Stories (2000s)

IPOS 2005/06 Annual Report designed by Epigram and illustrated by Mindflyer.
IPOS 2005/06 Annual Report designed by Epigram and illustrated by Mindflyer.

Bars, charts, numbers, and a passport-size portrait of the chairman—annual reports are typically boring documents to read.

But in their staid state, Edmund Wee saw an opportunity. In 1991, he started creative agency Epigram to redesign these reports that all publicly listed companies and government agencies put out every year. Starting out from a spare bedroom with just a desktop computer, Wee turned annual reports into coffee table books, a novel and even a video games instruction manual, revolutionising their design in Singapore over the next two decades.

“You are legally required to do an annual report, but there is no rule that says an annual report must be A4 (in size),” says Wee.

These financial documents were then largely prepared in-house using word processors. For Wee, the one thing missing was a story to attract readers. His promise to potential clients was to create an annual report that was readable and would successfully market the company to shareholders and clients.

Read the rest in SG50 Pulse

Design50: The Humble Kopitiam Stool (1990s)

The Unica Plastic Stool | Pix: SINGAPLASTICS
The Unica Plastic Stool | Pix: SINGAPLASTICS

Most Singaporeans have sat on one before. Plastic stools support the bums of kopitiam goers around the city as they tuck into their wanton mee, nasi lemak or prata.

They come in all shades and shapes like the customers they serve, and one in particular is the design of Mr Chew Moh-Jin, a Singaporean industrial designer who unexpectedly created what is now an icon of Singapore’s food culture.

Picture a 30-centimetres wide circle bounded tightly by a square. Extend a third of the square to a height of 44-centimetres to create a leg. Repeat for the remaining three corners and you have an outline of the stool Mr Chew designed—a modern solution for a decades-old Singapore plastics manufacturer.

Read the rest in SG50 Pulse

Design50: Space For A Nation to Play (1980s)

Mr Khor Ean Ghee standing atop the Dragon Playground he designed. | PIX: ZAKARIA ZAINAL
Mr Khor Ean Ghee standing atop the Dragon Playground he designed. | PIX: ZAKARIA ZAINAL

Dragons are everywhere in Singapore these days. As a pin, a door stopper and a toy rocker. On music album cover, a fashion spread and even an elections manifesto. This mythical animal has become a part of the Singapore story—and it all started with Mr Khor Ean Ghee.

Close to four decades ago, he dreamt up a playground shaped as this Asian symbol while working as an interior designer in the Housing and Development Board (HDB). Mr Khor had been tasked by the agency’s then head honcho Liu Thai Ker to design play spaces for a new generation of public housing that would go beyond providing just a roof over Singaporeans heads.

“The thinking then was to have more local identity and themes. We wanted something different, designs that reflect what we see in Singapore,” recalls the designer who joined HDB in 1969.

Read the rest in SG50 Pulse