Tag: Singapore Design

It’s live: Singapore Graphic Archives

SGA

When I first started working on INDEPENDENCE: The history of graphic design in Singapore since the 1960s some five years ago, it opened my eyes to the breadth of visual culture that we produce and consume in this city-state. As I wrote this book on Singapore’s graphic design history, I also started keeping a collection of graphic materials found in Singapore. I picked up flyers, bought books, and even started making colour photocopies at our library—paying a dollar a piece. It struck me that instead of just amassing cabinets of these materials, I should share them so as to raise awareness of Singapore’s visual culture. That led to the founding of the Singapore Visual Archive in 2011, a digital repository of things that can be seen here.

Five years on, I have relaunched the website as the Singapore Graphic Archives. The name change reflects the focus on graphic design and visual communication from Singapore, but the aim is still the same: to collect and document graphic design from the Southeast Asian city-state to encourage research on the industry, and to promote a critical appreciation of its visual culture. I’ve also had the privilege of working with local digital agencies Pettycache and Watchtower to come up with a cleaner and more functional (responsive!) website. In preparation for revamping the archive, I “studied’ many other design archives around the world through writing for AIGA’s Eye on Design blog. Two in particular inspired how I’ve gone about running this operation entirely on my own: Kind Company’s Display and the Seymour Chwast Archive.

Now that the archive is live, I can return to the laborious process of discovering, researching, scanning and uploading graphic materials on to the website. The dream is that I can get paid to do this, or at least find funding to enable the website with more features and create better archiving processes. But the pleasure for now—and hopefully always—is discovering designs from Singapore that widen my eyes and I go, “Wah lao! I need to share this!”

Saved by Graphic Design, One Failing Student Discovers His Calling

Shannon Lim hated studying until he discovered design

A zine created by Lim and Danielle Ng to critique consumerism in Singapore.

If not for design, Shannon Lim may still be bumming around in life. He never did his homework in school and spent his time skateboarding instead, until he set his mind on becoming a photographer. But in order to get into one of Singapore’s top design schools where photography is also taught, Lim realized he needed good grades.

“It was an epiphany,” he recalls. “I really was a very bad student. I would sleep in class the whole day. For my chemistry paper, I wrote ‘bunsen burner’ for all the questions.” Even though it was a struggle to pass his exams, Lim did well enough to study photography at Temasek Design School. That was when he made his second epiphany in life: that he wanted to be a graphic designer instead.

➜ Read the full story in AIGA’s Eye on Design

Why Singapore’s Design Scene Is Thriving

Singapore’s government is pulling out all the stops to promote creative entrepreneurship in the city-nation.

Thanks to funds from the DesignSingapore Council, local studio Supermama was able to collaborate with the Japanese porcelain company Kihara to produce a series of ceramics. | Courtesy Supermama

In addition to studios, exhibition spaces, and a shop, Singapore’s National Design Centre is now home to three of the city’s public makerspaces, offering citizens access to digital fabrication machines, power tools, and electronics. Jeffery Ho, the executive director of the DesignSingapore Council, hopes that such prototyping labs will become as ubiquitous as photocopying shops once were. “If this is a successful model . . . we will go into the housing estates,” he says. “That is very relevant for us because we don’t have garages in Singapore.”

The DesignSingapore Council is an agency set up in 2003 when the nation began developing a creative economy. In just over a decade, it has nurtured a thriving design scene—Singapore was designated a UNESCO Creative City for Design last year—and is now set to forge closer ties with technology and entrepreneurship, in line with the government’s plans to turn the city-state into what it refers to as a “smart nation.”

➜ Read the full story in Metropolis Magazine