Tag: Singapore Design

One Graphic Designer Challenges Viewers By Not Showing Any Work at His Retrospective

At the mid-career retrospective of graphic designer Hanson Ho last month, visitors might have been surprised to see not a single piece of work he created in the past 16 years.

Instead, the gallery walls were adorned with a salmon-colored semi-circle, a grey square, and framed black rectangles, amongst other simple shapes. These are the building blocks of the elemental and modernist creations by the Singaporean designer, better known as the founder of H55 studio. When Ho thought about looking back at the output of the studio he founded in 1999, he decided to pay homage to the aesthetic fundamentals of his practice instead of staging a “meaningless” show-and-tell exhibition.

Read the rest at AIGA’s Eye on Design

Here’s What Happens When a Punk Designer + Classic Master Printer Collaborate

What happens when a classical musician meets a punk rock star? The result, in graphic design terms, is the latest release of WERK magazine.

Bundled inside a handmade wrapper resembling a courier package plastered with stamps, customs forms, and white shipping tape, is a pristine hardcover book—a surprisingly conventional design for a cult publication better known for its experimental printing and production. Previous issues came in spray-painted covers, cloth pages, and frayed edges, but for its 23rd edition magazine founder Theseus Chan made the unusual move of making a book as German master printer Gerhard Steidl would.

Read the rest at AIGA’s Eye on Design

From Craft to Industry: Reflecting on Histories of Making in Singapore

Four exhibitions retracing Singapore's craft, design and manufacturing history (L-R): Tools That Built Singapore, Made in Singapore Products, FIFTY Years of Singapore Design and Craft | Singapore.
Four Exhibitions (L-R): Tools That Built Singapore, Made in Singapore Products, Fifty Years of Singapore Design and Craft | Singapore.

“Made in Singapore” has always been a challenging term for Singaporeans. Manufacturers grumble about the high costs of labour and land here. Designers lament the lack of expert collaborators willing to experiment and innovate. Consumers complain about paying a premium for local products that are no better than overseas imports.

Four on-going exhibitions in Singapore coincidentally retrace the nation’s history of making, offering an opportunity to understand and reflect on some of the issues that plague craft, design and manufacturing in the city-state today.

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