Tag: Graphic Design

Barbara Glauber’s Love for “Weird” Types

From discovering type on a Letraset poster to directing typefaces as a graphic designer, Barbara Glauber has had a long and deep love affair with typography. The principal of New York-based Heavy Meta has built up an impressive portfolio of designs defined by an expressive use of typography rooted in the CalArts tradition where she graduated from in 1990. We caught up with the design educator, mom, and also co-founder of celebrity dirt website The Smoking Gun (she designed the original website for her husband Bill Bastone) for a quick interview about her latest projects, type wish list, and her upcoming Typographics talk, “Crashing Vernaculars.”

➜ Read the rest at Typographics TypeLab

A Generations-old Bookbinder Gets a Modern Makeover

A bookbinder—a craftsman who hand-folds, hand-sews, and hand-cuts books—is a dream client for many graphic designers. It’s no wonder creative agency &Larry were excited to work on the rebranding for Bynd Artisan, a new atelier set up by stationery and leather craft goods manufacturer Grandluxe to promote the craft of bookbinding in Singapore.

Despite the client’s wealth of heritage and tradition (they go back three generations), &Larry was careful not to historicize the subject for the contemporary audience. Instead, creative director Larry Peh and his team went the modern and elegant aesthetic, a signature style of &Larry that has won the decade-old studio much acclaim, including most recently, Singapore’s President’s Design Award Designer of the Year in 2014.

➜ Read the rest at AIGA’s Eye on Design

The Godfather of Singapore Graphic Design Makes Another Crazy Cool Magazine

Theseus Chan: the name may not inspire awe in the States, but in Singapore he’s known to many as the godfather of graphic design, a reputation he’s earned with a body of work that continues to challenge his peers and excite a younger generation. None of his projects shows this better than WERK, a self-published magazine Chan started in 2000 to experiment with design production. The covers are torn and spray painted, or patched together from the detritus of the production process itself. Pages are made out of cloth, laboriously die-cut, or stained with printer’s inks and oils to evoke the scent of printing. The result is more than a magazine; each issue is an object that echoes the postmodern, “New Wave” tradition, an expressive and anarchic response to Swiss modernism.

➜ Read the rest at AIGA’s Eye on Design