Tag: Hans Tan

Critical of / for what?

This project embarks on an investigation of what it means to teach, learn, and practice criticality in design. Set against the backdrop of a neoliberal economic system and an industry constantly disrupted by emerging technologies, it takes a deep dive into the tension between education and professional practice. It examines how design, as a field increasingly seen as crucial to navigating the future, is being redefined—and whether “criticality” is being nurtured or neglected along the way.

Prior to the Fellowship, initiators Candice Ng, Justin Zhuang and Vanessa Ban had conducted interviews with 12 local educators and designers on this topic. The Fellowship supported the organisation of an invite-only panel discussion, hosted at the SAM residency spaces, to further explore the role of criticality in Singapore design practices and how it is taught in local design schools. The primary goal of the event was to foster dialogue between industry and academia and encourage a shared understanding and vocabulary to advance the teaching, learning and practice of criticality within contemporary design practice.

➜ Read more about the project at the SAM Design Collection website

 

Hawker Colours: The Book

They refer not to the green of chendol or the red of mee goreng but the riot of colourful melamine plates and bowls in which many hawker dishes in Singapore are served today. Red, green, yellow, purple, pink, and more!

These colours defy conventional aesthetic sensibilities, and yet they have become entrenched in local hawker centres and coffee shops. Hawker Colours retraces their origins and mass adoption, and asks what value they still hold as the trade adapts to the changing needs of the city-state.

The book is now available for sale here. Read a feature about the book by The Straits Times.

Repairing Repair

I’m typing this essay on a laptop in need of repair. The battery lasts for no more than two hours. The speakers go silent after hours of use. But aside from these defects, the laptop still works as when I first bought it eight years ago.

All of us have something broken in our lives. Tucked away in a drawer. Collecting dust in the storeroom. Or like in the case of my laptop, faulty but still functioning. For various reasons—from the practical to the environmental and sentimental—we have hung on to these damaged goods instead of simply throwing them out.

➜ Read the full essay in R for Repair (2020) available from Temporary Press