Category: Design

A trip to Yangtze Cineplex

“随便坐!” (”Seat anywhere you like”) said the usher as we huddled into the cinema peering into the dark looking out for old men and their umbrellas. Indeed, the cinema was hardly filled, the men and a couple (a man and his prostitute, I imagined) made sure they sat seats apart. It must have been strange to see us, two men and a lady, seating together in the middle of the cinema.

My colleagues and I had finally made the trip down to Yangtze Cineplex in Pearl’s Centre, which is famous for playing softcore erotic films that cater to old men with their umbrellas. It was an urban legend that we had to see for ourselves even at a cost of $8.50 a ticket! Below you will find my “imagined” map of the place, that will guide you through my adventure:

yangtze

1. At the corner of the 4th floor of Pearl’s Centre, lies a little community of its own, where old men live like mandarins, indulging in sin, in the kingdom of Yangtze. Even before one enters the cineplex, one is greeted by ladies dressed to kill outside a innocent-looking massage and spa centre. They scrutinise the people entering the kingdom, waiting for the eye contact to make their move.

2. One is greeted at the entrance by photos of the movies that are being shown. There is no need for Hollywood-style posters because everyone comes here just to watch one thing — sex. So, all you have is the title of the movie accompanied by the time slots and the sex scenes in the movie. The old men stand and scrutinise the photos, picking one which would fulfil their fantasy.

3. After making a choice, whether out of a convenient time slot or because one wants “her”, proceed to the ticketing booth, manned, strangely, by an auntie. She doesn’t judge the patrons at all, she’s just here to sell tickets. And since we looked young and innocent, she asks for our ID to show that we were above 21, but no, she never questions why we are here with a lady.

4. There are four cinemas in this cineplex, two on the ground floor and another two on the second floor, each guarded by an usher who could very well pass off as one of the old men in this small community.

5. This is a self-sustained community, there is a food centre where the old men feast in typical ah pek style — teh on one hand and a girl on the other. The men have their feast here, enjoying a good chat over mee pok and bottles of beer, evoking imagery of Imperial China, where the mandarins feast and indulged in sin.

6. Finally, we headed to Yangtze 1 to watch “Time to Revenge”, a film we picked because it had just started when we arrived. To our disappointment, the legendary umbrellas were but a myth. The movie was a B-grade movie about cowboys plotting against one another and after 20 minutes in, there was yet to be a sex scene and so a patron walked out. When there was finally a sex scene, it was just a couple in their underwear lying on bed. Eventually, an hour into the movie, with not a single nude scene in sight, we decided we had enough and left.

As we left disappointed, I tried to strike a conversation with the auntie at the ticketing counter. I asked her how old the cineplex was, she snapped back asking why I wanted to know. “Curiosity?” I replied in mandarin, and she broke into a smile and said she didn’t know.

I suppose that’s how she keeps on at this job and how this cineplex continues to be tolerated — we just choose to not know about it.

Need to organise the diversity

Of late, I have not been able to gather my thoughts and thread something deeper out of them. Maybe I miss the long train trips to school, where I could let my mind run and focus, nowadays time is just too short for me to muse. Instead, I’m going to run a short list of thoughts, after all like the director of a short film said, she liked to make short films because if it’s bad, the pain is short, the disappointment after is short and well in general, life is short, isn’t it?

The problem with news
I was just thinking about a friend who graduated in engineering and loves photography and thought she sounds like a news story because that is unusual. But on second thought, that’s not unusual anymore, in the “new” world today, values of the past become unusual again. That’s on top of trying to outdo what was new. Maybe nothing new can be created… wait, I think Jameson or Lyotard talked about it before. Darn, nothing new here.

On the same note, there is one recurring story line that I am getting bored of. Basically, homosexual repressed in a hetrosexual society, rediscovers his homosexuality and lives happily ever after. I think it’s a starting point of such identities becoming included part of society and when enough of us get bored of the theme, it’ll be nothing new.

The 4th Singapore Short Film Festival
I caught the first set of films today. I was really impressed with For a Few Marbles More, a Dutch film about a group of children fighting two bullies for their right to the playground — short, sweet and funny. The Iranian film Cyanosis, about the life of a painter was a bit slow, but how the director used the paintings as part of the story-telling process was interesting.

Finally, the three local films stood out for different reasons. Londres-London had something interesting going on conceptually but it’s delivery was stunted and I only truly appreciated it when the director explained the movie. Kichiro was lots of blood and gore and I had my eyes close for quite a bit and the director did confess that he was simply exploiting the opportunity to feature violence and I have to say kudos to that. The most curious film for the night was My Keys. I was ready to pan it because it did seem quite ridiculous, a man finds out he is locked in because he can’t find his keys then prays to Guan Yin who appears with his keys but never gives it to him and flies off with it. Moreover, it’s cast were both models from some beauty competition which I highly suspected was to allow him to get sponsorship. It was only when the director explained that he wanted to convey the feeling of being cheated to express how he felt when a good friend he lent money to ran away with it. You had to give it to him.

Brochure Collection
What is with the k e r n i n g of the Singapore Short Film Festival brochure? C a n y o u i m a g i n e r e a d i n g t h i s… Postmodern layout can sometimes be so non-functional.

I finally got hold of the 21st Singapore International Film Festival’s brochure too, the cover was not very impressive too, compared to a few years back.

My favourite brochure this time was The Substation’s “What’s On Jan – Mar”, the events are sectionalised into white boxes that allow the reader to interact and make notes on it. It would have worked even better if the boxes contained the dates and times for the events too.

Cool stuff to share
Teabag font for free! <http://www.josbuivenga.demon.nl/fertigo.html>
McSweeney’s
Hilarious intellectual stuff and really beautiful publications
Into the Wild (2007)
Inspiring movie, especially when you’re weary of life, and Sean Penn directs!
Woodneuk House
Read the historical background then see my photos of this abandoned house
StatAttak
Cool T-shirts and information graphics
partofit 
Another nice tote bag and t-shirt site, and your purchase helps a cause

My take on Helvetica: A Documentary Film

fakehelveticafront1
Front of DVD cover

After watching “Helvetica”, a documentary film about a font, I was inspired to come out with a DVD cover with it and this was a design I came up with. The concept was inspired by Rene Magritte’s, The Treachery of Images:


“This is not a pipe” (translation of the line in French)

In my design, it reads “a copy of Helvetica”, and read literally it just means a copy of the film Helvetica, but the text is actually set in Arial, which was historically created as a cheap copy of Helvetica. So the text acquires a secondary meaning. In order to make the design a little more blatant, the back cover of the DVD had a link that educated people on spotting the real Helvetica:fakehelveticaback1

Back of DVD cover