Tag: D-D.SG

Bringing Architecture to the Crowd

It’s all about you, me, and them, at this year’s Archifest. Singapore’s annual architecture festival turns to the “Crowd” for its eighth edition as it looks at the impact of communities and collaborations in the built environment.

From a pavilion created by two architecture teams to “crowd pricing” workshops that demonstrate the economic benefits of purchasing as a group, this two-week long festival organised by the Singapore Institute of Architects will address how individuals can work with one another to affect change in the city from the ground-up.

This year’s focus on people is not just apt for a festival which aims to bring architecture closer to the public, but also reflects the beliefs of a new team. Taking over from previous director Adib Jalal and his team is PLUS Collaboratives, a two-year-old design collective who say they are all about working together to making work that the common man can appreciate.

“We feel creating programmes out of thin air is not something that a short festival should do. Instead, the programmes created should have a lasting reference,” said member Mervin Tan who is also this year’s Archifest director. “What we tried to do is to collect parallel voices to sing the same tune, and to sing louder together for this festival. We aim to show to the public the idea of ‘crowd’ does exist amongst the creative industries and is something real.”

New to this year’s festival is working closely with students from various design schools to create projects that address this years’ theme. The students of Ngee Ann Polytechnic designed spaces for Little India to promote interaction and integration between the users of different social and cultural backgrounds in this ethnic enclave, while the architecture undergraduates of the National University of Singapore (NUS) studied appropriate materials and designs to better shade the city’s public spaces from the sun. These projects and more will be showcased at Marina Bay Sands where Archifest has erected a pavilion which is a design collaboration between HCF and Associates as well as Agfacadesign and the NUS. Both teams were winners for this year’s pavilion design competition, an unexpected decision made by the jury.

his year’s Archifest pavilion will be designed by HCF and Associates as well as Agfacadesign and the NUS, whose respective concepts “Fugue 1357″ (left) and “Cloud Arch” (right) were picked as joint winners for this year’s design competition. | ARCHIFEST
This year’s Archifest pavilion will be designed by HCF and Associates as well as Agfacadesign and the NUS, whose respective concepts “Fugue 1357″ (left) and “Cloud Arch” (right) were picked as joint winners for this year’s design competition. | ARCHIFEST

“This year we experienced the highest number of entries (28) since the beginning of the competition (in 2012) and the final shortlisted entries were really outstanding in their own rights,” explained Mervin. “Although it was not conventional to commission two winners, the jury decided to go ahead with this decision, which also bolts well with the overall theme of crowd and collaboration.”

Even as Archifest continues to make architecture relevant to the Singapore public, the festival has also not forgotten about the industry. From this year on, the festival will be launching ArchXpo, a new tradeshow component. Unlike other industry-specific events in Singapore such as the recent International Green Building Conference or the upcoming World Architecture Festival, Mervin said their show will be less topical and “a direct showcase of new ideas, future, projects” instead. More importantly, it is part of an effort to make the home-grown Archifest internationally relevant, as the Singapore Institute of Architects has partnered event organisers Conference & Exhibition Management Services for this event.

Classrooms for Singapore’s Future

Classrooms_Lekker

Coastlines, canals, and carparks are just some of the unusual locations in Singapore for tomorrow’s pre-schools if Lekker Architects have their way.

In anticipation of the government’s plans to build more pre-schools, philantrophic organisation Lien Foundation approached the architecture firm last year to rethink the design of educational spaces for young children.

The result is “A Different Class: Preschool Spaces Redefined”, a collection of 10 pre-school designs that break out of the current enclosed units commonly found in the void decks of public housing estates here. Not only did Lekker try to invent new concepts for what pre-schools in Singapore could be, they also sought out unconventional locations for them so as to overcome the existing limitation of where they are typically housed.

“Schools are currently built in a narrow range of settings and many of these, such as void deck units, constrain the potential of design and hamper the creation of compelling buildings for our children. Inspiring spaces are all around us. These include highway buffers, large drains and our beaches and waterways,” said Lien Foundation chief executive Lee Poh Wah to the Straits Times.

More than just fantasy proposals, Lekker ensured the feasibility of their proposals by scouting possible locations for each, and they have been included in the report. Their different designs were also guided by 10 principles that include learning through experience and playing, fostering a sense of community and ownership, and creating spaces that are distinctive and sensitive to their location.

Lekker’s concepts are free for anyone to use and you can check them out on A Different Class where the full report designed by Epigram is available for download. You can also vote for your favourite designs, suggest locations, and from now till 30 September, propose better concepts and stand to win an iPhone 6+.

WERK No. 22: Re-imagining the Future of Dover Street Market

WERK-No.22-pages-8In 2004, he helped COMME des GARÇONS set up its first Guerrilla Store in Singapore. That started the first of many collaborations between Theseus Chan of WORK and the Japanese fashion label owned by Rei Kawakubo and her husband, Adrian Joffe. To celebrate the 10th anniversary of the label’s multi-brand store, Dover Street Market, Theseus designed an entire issue of his cult graphic magazine, WERK, to explore what the next decade of Rei’s “Beautiful Chaos” might look like.

How did this new issue of WERK come about? Why dedicate it to Dover Street Market’s 10th anniversary?
In 2004, Adrian Joffe shared with me the revolutionary idea of Dover Street Market (DSM) when he visited the Guerrilla Store I was operating.

A decade has gone by quite rapidly. It is wonderful to see how that idea has evolved over the years and paved the way for so many other new retail concepts. WERKshares the pioneering spirit that embraces new, and celebrate forwardness, which is what DSM is part of and more.

How has Rei Kawakubo’s concept of “Beautiful Chaos” inspired this issue?
Rei wanted for DSM:  “…market place where various creators from various field gather together and encounter each other in an ongoing atmosphere of beautiful chaos: the mixing up and coming together of different kindred souls who all share a strong personal vision.”

This manifesto is enough to spark all sorts of ideas!

WERK is know for its experimental designs. How has this approach been applied in this issue?
We set for ourselves very tight perimeters in designing this issue. We only have images of past and present interiors and windows of DSM to work with…

Our task was to re-imagine the future under the heading of “The Next Ten Years”. Ironically, we went to the past to get to the future.

We created a new series of lo-fi “clashing, confusing, energetic” imageries that are ironic, using past and present elements of DSM.

The space imageries are all fiction (obviously) and they are created as a visual collage using images from DSM and NASA.

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You’ve had a long working relationship with COMME des GARÇONS having run their guerrilla stores and having your graphics printed on their clothes. When and how did this partnership first begin?
I told him that was revolutionary and suggested to have one in Singapore, and that I will the charge of this outpost in the Far East. We did four occupations over four years at various sites, including Chinatown, the Malay-Arab quarters at Haji Lane, the heartlands neighbourhood at Bukit Merah View, and finally at Mount Sophia’s Old School, a defunct school.Running their Guerrilla Store in 2004 was the beginning. Adrian related to me about a project that he and Rei came out with, and it was their first Guerrilla occupation in Berlin.

In many ways, your work can also be described as “Beautiful Chaos” too. In your opinion, what are the similarities and differences between your design approach as compared to Rei’s?
What is common is that we all have strong personal visions.