Die-hard Singapore football fans will proclaim the late 1970s and early 1980s as the best times for the national team. With the likes of “Gelek King” Dollah Kassim, the tough-tackling Samad Allapitchay, the Quah brothers and a then rising star in Fandi Ahmad, the team made it to seven consecutive Malaysia Cup finals and won twice. Their exhilarating performance on the pitch was captured in countless write-ups in the local newspapers, including a editorial cartoon in The Straits Times known as Sham’s Saturday Smile.
This creation of graphic artist Shamsuddin Haji Akib offered avid football fans fans like himself a punchline on Singapore football, bringing smiles to fans looking forward to Malaysia Cup matches every weekend. After a commentary on how the national team’s performance was being disrupted by coach Trevor Hartley’s ever-changing line-ups, Shamsuddin depicted him as a mad scientist who would not stop experimenting. Responding to various reported incidents of unruly behaviour amongst fans and players, he turned in cartoons with referees wearing helmets and Hartley learning the Malay art of self-defence, bersilat, to control his players.
The industry calls it the monobloc chair. To everyone else it’s that cheap plastic chair, the squarish, one-piece, stackable thing that populates the lawns and gardens of the world, so ubiquitous as to go unnoticed.
It seems to be everywhere: inside a storeroom in Florida, outside the Uruguay Pavilion at the Venice Biennale, and on a boat on the Zambezi River in Zambia, to mention just a few of the places the chair has been spotted, according to the Plastic Chair World Map. No one knows how many exist in their different versions or even who the original designer is, but they clearly number in the millions.
Even before graduation, industrial design students from the National University of Singapore have already successfully sold their designs. They regularly fly between China and Singapore; negotiate with manufacturers and suppliers; handle sales from customers all over the world; and keep up with schoolwork — all at the same time.
These students are the products of Launchpad, a course founded and facilitated by lecturer Donn Koh of the Division of Industrial Design. Over 13 weeks, these design students work in teams of three to conceptualise designs, which they then released on a crowdfunding platform for the world to judge with their wallets.
“Within the confines of a design school, students are seldom confronted with the reality of a product that has to resonate with people and really lead to purchase decisions,” says Donn.
“You can have a thousand and one concepts, and people may applaud you. But will they give you (their) money? That’s the real test.”