Tag: AIGA

The Dramatic Ways Having Kids Can Change Your Design Practice

When the founders of Pupilpeople became parents two years ago, the graphic designers struggled to find quality toys for their baby boy. Disappointed with gimmicky, plasticky gadgets, unsafe and overly-instructive playthings, Sean Kelvin Khoo and Nicole Ong designed their own toys for little Elias instead.

This gave birth to OddBlocks, a set of eight cubes that each unpack into three curious objects. An off-kilter semi-circle, an asymmetrical rectangle and a trapezoid with a chewed-off top are just some of the 24 odd-shaped toys created to help children build from their imagination and discover new shapes and forms.

Read the full story in AIGA’s Eye on Design

Singapore’s Currency Question Commonplace Aesthetics

Curiosity for what graphic design could be was the catalyst that first brought Currency together in 2012. Like many young designers, the Singaporean duo were connected by what they saw online. While their contemporaries picked up visual languages like modernist graphic design, Melvin Tan and Darius Ou were attracted to the emerging critical graphic design movement, led by the likes of David Rudnick and Eric Hu. Their shared interests sparked a Facebook conversation between the two students while they studied at different design schools, which eventually evolved into the ad-hoc collaboration of two freelance designers who come together as Currency as and when projects require.

Read the full story in AIGA’s Eye on Design

“It Wouldn’t Have Happened if He Hadn’t Threatened to Break My Pencil”

A series of accidents led Vanessa Ban into graphic design. After majoring in fashion photography, she realized commercial shoots weren’t really her thing, so the Singaporean signed up for a graphic design degree in Australia, but she changed her mind at the last minute when her mother gave in to her wish to study in London.

With budget for only two years of college, Ban had to give up on her dream of studying at the famed Central Saint Martins, instead ending up at the London College of Communication (LCC) in 2009, which “actually turned out to be a much better accidental choice.”

Read the full story in AIGA’s Eye on Design